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BRONZE Seller in Rimini, Italy
Chiari Giuseppe - Piano - Color screen printing cm. 100x160 year 1989 signed, numbered and dated by the artist on the front num n. of 90 ex. Imposing and representative work of exceptional quality, in perfect condition, kept intact in the protective folder, not framed. Complete with certificate of authenticity and origin (signature and dry stamp of the publisher with photographic reference and numbering). The images of the framed specimen are for illustrative purposes only. Shipped in professional, traceable tubular packaging. Available for any information BIOGRAPHY Giuseppe Chiari (1926/2007) Composer and conceptual artist, born in Florence on September 26, 1926. In Florence, alongside his university studies in mathematics and engineering (1946-51), he devoted himself to music by studying piano and composition. Particularly attracted by the experiences of J. Cage, C. began to take an interest in experimental research of visual music, promoting in 1961, with P. Grossi, the association Vita musica Contemporanea; of great importance for the artistic development of C. were, in the early sixties, the meeting with S. Bussotti, the comparison with the research of concrete poetry of the 70 Group, and finally the contacts with the New York exponents of the international movement Fluxus, to which the artist joined by participating, in 1962, in the Fluxus internationale Festspiele neuester Musik in Wiesbaden. In addition to collective exhibitions, from Documenta 5 in Kassel (1972) to the Venice Biennale (1972; 1976; 1978) to that of Sydney (1990), C. has developed his complex artistic path through numerous concerts and performances in Europe and the United States. A supporter of the interaction between music, language, gesture and image, C. has elaborated actions that are linked to the Neo-Dadaist and conceptual experiences: short passages converge, from time to time and without a pre-established order, into complex musical pieces, aimed at enhancing the freedom of expression and the concept of indeterminacy of artistic doing. C. has in fact composed 'action music' based on a complex method of execution which, alongside traditional instruments, assumes as essential components random or random sound elements (water, dry leaves, stones) that offer the inspiration for reworkings and actions who find the constant essence of his research in randomness and improvisation (Gesti su un piano, 1962; La strada, 1965; Suonare la città, 1965). From the first scores, in which the signs of the notes or the graphic representations of the gestures to be performed take on a visual evidence such as to impose themselves as autonomous images, and pure visual products, C. has come to experiment with different expressive means: from collages to solutions pictorial-gestural elaborated with signs, writings and stamping on staves, scores, photographs, which find full and mature expression in the Eighties. His graphic and pictorial work is partly preserved at the Tornabuoni International Center of Contemporary Art in Florence.
ID: 15787-1616081659-16992
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