This elegant set of six French chairs attributed to André Sornay is a striking example of the designer’s rigorous and architectural approach to furniture design during the 1940s, a period in which geometry, structure, and material honesty became central to modern French interiors. Crafted in solid oak, the chairs display a strongly geometric construction, defined by precise triangular and trapezoidal forms that give the ensemble a bold yet refined presence. The proportions are carefully balanced, combining visual strength with functional clarity, a hallmark of Sornay’s design philosophy. The seats are upholstered in white leather, offering a refined and luminous contrast to the warm tone of the oak. This interplay of materials enhances the modern character of the chairs while maintaining an understated elegance suitable for both classic and contemporary settings. The backrests, visually commanding and architecturally conceived, are formed from geometric oak panels featuring a pronounced and decorative wood grain. Each backrest is secured by two visible brass joints, a distinctive technical and aesthetic feature frequently associated with André Sornay’s work. These brass elements are not merely decorative; they serve a structural role by anchoring the backrest while simultaneously integrating the front legs into the construction, reinforcing both stability and visual coherence. The deliberate exposure of construction details reflects Sornay’s belief in functional transparency, where structure becomes ornament. The result is a design that is rational, expressive, and unmistakably modern for its time. This set embodies the spirit of French modernism of the mid-20th century, bridging craftsmanship and industrial logic. Both sculptural and functional, these chairs stand as a powerful statement of post-war French design, ideal for discerning collectors, refined interiors, or significant design collections.