Watercolor on paper. Signed and dated lower right.
From the Campari corporate collection.
After an initial naturalistic and evocative pictorial phase, Rino Sernaglia opted for geometric abstraction, defining three-dimensional paths of white, mechanical light, organized within a passive space, delimited at its edges by a virtual cornice, but also indulging in more vividly chromatic and kinetic exercises.
His aesthetic is rigorously rational and articulated around the polygonal square and kinetic movement, suggesting the invention of dynamic, rhythmic, and multiplied forms.
The work is presented in a frame.
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PLATINUM Seller in Milano, Italy
