Even before being a seat, this lounge chair is an exercise in volumes. The backrest draws a continuous curve that envelops the seat, while the cylindrical cushion interrupts the surface with a detail that recalls the most experimental Italian design of the Seventies. The whole appears compact, almost sculpted, but retains a surprising visual lightness. The walnut base creates a stark contrast with the softness of the padding. The base, essential and geometric, seems to lift the upper volume, emphasizing the relationship between solids and voids and giving the armchair an architectural presence. It is a typical solution of much Italian production of the period, where furniture was designed as an element capable of communicating with space also through its shape. The new Schumacher cashmere bouclé covering further enhances the project. The compact texture and warm shade highlight the rounded profile of the seat, accentuating the continuity of the surfaces without weighing down the image. The choice of fabric gives the armchair an important tactile quality, keeping the original character of the design intact. Carefully restored, this lounge chair retains all the expressive strength of Italian design from the seventies. A piece that combines formal research, quality of materials and everyday comfort, ideal both as the protagonist of a living room and as an accent seat in a contemporary space.