Multi-material screenprint on canvas, signed and numbered 36/150 (edition of 200 copies, of which 150 Arab and 50 Roman). On the back there is a stamp with the title and description of the work.
Athos Faccincani's pictorial production was initially focused on social themes, in particular with attention to the world of prisoners and the marginalized. Since the 1980s, after a long period of reflection, the artist moves from the representation of human figures to that of the landscape, of the nature that Faccincani loves in its sacred totality, becoming his only model. Following a radical change in his existential and stylistic attitude, he moves on to the production of images with pure and bright colours, aimed at enhancing the light, the sun and the simple story, with a painting that is a witness of joy and serenity.
The work is presented in a gilded wooden frame.
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PLATINUM Seller in Milano, Italy
