Figure at the Window by Antonio Mignozzi, fresco on canvas, 1970s
"Figura alla finestra" è un'opera originale di Antonio Mignozzi, realizzata con la tecnica caratteristica dell'artista: un affresco su tela preparato con impasto materico che ricorda intonazioni antiche, segni graffiati e superfici vissute. La figura frontale, definita da linee essenziali e uno sguardo sospeso, è tipica della fase più matura di Mignozzi, attiva tra gli anni Settanta e Ottanta. L'opera presenta la firma frontale e, sul retro, il titolo manoscritto ed il timbro dell'artista, elementi che rafforzano la provenienza e l'autenticità. L'artista, nato nel 1942, studia tra Bari, Roma e Milano, completando la formazione all'Accademia di Brera sotto Marino Marini. Ha esposto in numerose personali in Italia e in Svizzera (Milano, Brescia, Locarno, Verbania) e ha partecipato a collettive ottenendo vari riconoscimenti negli anni Settanta e Ottanta. La sua ricerca fonda memoria, materia e segno, con un linguaggio sospeso tra figurazione e astrazione. Quest'opera, incorniciata in Modo elegante, è ideale sia per collezionisti di arte contemporanea italiana sia per interni dal gusto poetico e materico. Antonio Mignozzi nasce nel 1942 a Trebisacce (CS), ha studiato all'Accademia di Brera a Milano, vive e lavora a Verbania dal 1973. La sua pratica pittorica indaga la memoria visiva, la materia e la sospensione del tempo tra figurazione e astrazione. Le sue opere sono state presentate in numerose mostre personali a Milano, Brescia, Locarno e Verbania, e sono presenti nei cataloghi specializzati d'asta. Il mercato attuale dell'artista segnala passaggi che si collocano in fasce modeste, rendendo quest'opera un'opportunità interessante per collezionisti di ricerca o per ambienti di design contemporaneo. Mignozzi utilizza una tecnica peculiare - spesso definita "simile all'affresco" - in cui impasta terre, colle e pigmenti naturali, prelevati anche direttamente dal suo territorio d'origine. Le sue superfici si presentano come intonaci antichi, frammenti staccati, evocando i 2437 / 2000 à é è ì î ó ò ù "Figure at the Window" is an original work by Antonio Mignozzi, created using the artist's characteristic technique: a canvas fresco prepared with a material mixture reminiscent of ancient intonations, scratched marks, and lived surfaces. The frontal figure, defined by essential lines and a suspended gaze, is typical of Mignozzi's more mature phase, active between the 1970s and 1980s. The work features the front signature and, on the back, the artist's manuscript title and stamp, elements that strengthen its provenance and authenticity. The artist, born in 1942, studied between Bari, Rome and Milan, completing his training at the Brera Academy under Marino Marini. He has exhibited in numerous solo exhibitions in Italy and Switzerland (Milan, Brescia, Locarno, Verbania) and has participated in group exhibitions, obtaining various awards in the 1970s and 1980s. His research founds memory, matter and sign, with a language suspended between figuration and abstraction. This work, framed in Elegant Mode, is ideal both for collectors of contemporary Italian art and for interiors with a poetic and material taste. Antonio Mignozzi was born in 1942 in Trebisacce (CS), studied at the Brera Academy in Milan, and has lived and worked in Verbania since 1973. His painting practice investigates visual memory, matter, and the suspension of time between figuration and abstraction. His works have been presented in numerous solo exhibitions in Milan, Brescia, Locarno and Verbania, and are present in specialized auction catalogues. The artist's current market signals passages that fall into modest ranges, making this work an interesting opportunity for research collectors or contemporary design environments. Mignozzi uses a peculiar technique - often referred to as "fresco-like" - in which he mixes earths, glues and natural pigments, also taken directly from his home territory. Its surfaces appear as ancient plasters, detached fragments, evoking the "Figure at the Window" is an original work by Antonio Mignozzi, created using the artist's characteristic technique: a canvas fresco prepared with a material mixture reminiscent of ancient intonations, scratched marks, and lived surfaces. The frontal figure, defined by essential lines and a suspended gaze, is typical of Mignozzi's more mature phase, active between the 1970s and 1980s. The work features the front signature and, on the back, the artist's manuscript title and stamp, elements that strengthen its provenance and authenticity. The artist, born in 1942, studied between Bari, Rome and Milan, completing his training at the Brera Academy under Marino Marini. He has exhibited in numerous solo exhibitions in Italy and Switzerland (Milan, Brescia, Locarno, Verbania) and has participated in group exhibitions, obtaining various awards in the 1970s and 1980s. His research founds memory, matter and sign, with a language suspended between figuration and abstraction. This work, framed in Elegant Mode, is ideal both for collectors of contemporary Italian art and for interiors with a poetic and material taste. Antonio Mignozzi was born in 1942 in Trebisacce (CS), studied at the Brera Academy in Milan, and has lived and worked in Verbania since 1973. His painting practice investigates visual memory, matter, and the suspension of time between figuration and abstraction. His works have been presented in numerous solo exhibitions in Milan, Brescia, Locarno and Verbania, and are present in specialized auction catalogues. The artist's current market signals passages that fall into modest ranges, making this work an interesting opportunity for research collectors or contemporary design environments.
ID: 180-1764382695-137383
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